诱饵2019
类型：剧情 / 地区：英国 / 年份：2019
主演：Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,St
导演：马克·詹金
更新：2026-10-16
简介：
康沃尔渔村的&#
康沃尔渔村的(🔨)风景明信片田园诗(shī )误(wù )导了(le )人(🌰)们。虽然过去钓鱼是一(🤴)种(🍥)养(yǎng )家(🔧)糊口的(de )方式，但(🌰)如今富有的伦敦游客纷纷下(xià )山(⏬)，取代(❣)了(🌗)当地人(rén )，当(dāng )地人的生计因此(🎩)受到(🗄)威(wēi )胁。史(🕯)蒂文(🙍)和马(✳)丁(dīng )兄(xiōng )(🥄)弟的(🚉)关系也很紧张。马丁是一个(gè )没有船的渔(yú )夫，因为(wéi )史蒂文开始用(💞)它来为一(yī )整天的游(🥁)客提供(🚨)更(gèng )赚钱的旅游。他们卖掉了这(zhè )座(🥔)家(jiā )庭别墅，现在看来，最后一场战斗(dòu )是和(💪)新主人在海(hǎi )(🍄)边的(de )停(tíng )车位(🧤)上展(zhǎn )开。然而，情况很快就失控了，而不(bú )仅(🤖)仅是因(🌮)为车轮夹(🈁)钳(❕)。 Bait是一种(zhǒng )(🚗)黑(hēi )白(🦇)，手(shǒu )工制作，16毫米(🥋)胶片制作的电(diàn )影。许(xǔ )多关于鱼、网、龙虾、长靴、绳结和(hé )渔(yú )篮(👌)的特写镜头让(♌)人想起了(le )(🍽)蒙太(tài )奇景点(diǎn )的理论。对不同社会阶层的描(🌸)述——可(🚽)以说是阶级关系(👗)——也(yě )让(ràng )人想(xiǎng )起了(🛃)英国电影中(🤼)的(de )(❓)社会现实主(zhǔ )义(😉)传统(tǒng )。然而，最(💁)重要的是，在影像中不同层(céng )次的电影(yǐng )(🐱)历(lì )史参(👼)考文献之(zhī )(🏡)下(✒)，当前许多政(zhèng )治(zhì )(🕵)关(🎞)联正在等待被(🔍)发(fā )现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🈂)Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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